Barton, C. (2010). Shark vs. Train. New York, NY: Little, Brown.
Summary
My PeopleHughes, Langston. (2009). My people. New York, NY: Atheneum Books for Young Readers.
Summary
This book is a beautiful tribute to African Americans today. Smith has taken the poem written by Hughes many years ago and added wonderful sepia photographs of black people of all ages, showing their beauty, color, and character. Though there are few words in the book, it speaks its message with grace.
Impressions
I was quite enchanted with the photography done by Smith in this book. His use of light, while keeping the subjects against a black background, really showcases the people and makes their faces the true focus. The pictures were very well matched to the words of the poem, as well. This is a very creative and interesting book and I enjoyed reading it.
Reviews
In his first book using digital prints and the iris-printing process, photographer/poet/author Charles R. Smith Jr. uses sepia-toned photos that, when paired with the classic Langston Hughes poem "My People," create an intense and nuanced montage. "The images are printed on a watercolor paper," says Smith, who trained at the Brooks Institute of Photography. "This gives…a great richness and adds a little texture to the highlights." Permeated with a sense of pride and celebration, the book satisfies and enriches.
My People. (2009). Kirkus Reviews, 77(22), 6.
The book is a tribute to the poet and to the differences in appearance that make our species so amazing. The celebration of poetry and photography in the book create a piece of art that can be appreciated for its beauty alone and also for its educational value as a study in metaphor and rhythm. The possibilities for reading, understanding, and enjoying are endless with this book.
My People. (2009). Library Media Connection, 27(6), 88.
Suggestions for Use
This book would be an excellent choice to use in a poetry unit. Read the book first, then pull the words of the poem out and examine them separately, without the pictures. Discuss what kind of poetry Hughes has used and what his message was when writing this poem. Then go back and look at the story again and discuss the choices of photographs and subjects that were used for the book. Ask students if the photos and words work well together, or if they would maybe make different choices, and if so, what they might be.
Goin' Someplace SpecialMcKissack, P. (2001). Goin' someplace special. New York, NY: Atheneum Books for Young Readers.
SummarySuggestions for Use
Before reading, have a brief discussion about segregation to be sure the students have an understanding of it. After reading, offer students the opportunity to tell you how they felt at different parts of the story. For example, How did you feel when you first met ‘Tricia Ann? How did you feel when she got on the bus? How did you feel when she was discovered in the hotel? How did you feel at the end when she reached the library? Ask students to think of a time when they felt defeated or knocked down and what caused them to feel that way, and how did they get past that feeling to be successful?
The Summer of the SwansByars, B. (1970). The summer of the swans. London: Puffin.
Summary
As Sara enters into her teenage years, she is confused and riddled with the same teenage angst that all girls encounter. Her feet are too big, her legs are too long, and she is now having to live with her bossy aunt after the death of her mother. However, this particular summer turns out to be more eye-opening that Sara could ever dream. After her younger brother, who has special needs, disappears one night in an attempt to view the swans that have flown to the lake nearby, Sara's world is turned upside down. As she searches for Charlie, she finds herself and comes to discover that things aren't always as they seem and that our problems aren't as big as we thought.
Impressions
I enjoyed reading this book and could easily relate to the feelings and emotions that Sara experienced. I feel this story's portrayal of a young person with a special needs sibling was also very poignant. Having no personal experience with this, I still was able to understand Sara's feelings and worry in relation to Charlie. It gave me a small glimpse of what it would be like to be responsible for someone who couldn't do things that most of us take for granted. It's a difficult concept to present, and I feel that Byars did well with her presentation of Charlie and his feelings and emotions.
Reviews
When her mentally retarded brother Charlie disappears, it's during the search for him that Sara begins to deal with her own emotions about family, friends, and the opposite sex. This story is very much about inner feelings, and although there is a search for a lost boy, the emotional struggles that Sara goes through are really at the heart of the tale.
Braun, L. W. (1996). Audiovisual review: Recordings. School Library Journal, 42(4), 89.
The author's writing was so descriptive I felt like I knew the characters and what they were feeling. I really think it's nice that you can enjoy a book and learn a lot from it too. Betsy Byars writes about real feelings that other girls are likely to also have. This book is filled with lots of emotions: happy, sad, surprising, disappointing, kind, sweet, and funny.
Review by Lauren Ferrando (2004) can be found at http://www.buildingrainbows.com/bookreview/reviewid/5131
Suggestions for Use
As a read-aloud for older students, this story could open up discussion about a topic that is rarely discussed-special needs. Though we can't really know the thoughts and exact feelings of special needs students, this book is a good starting point for teaching about the importance of respecting others and having compassion for those who aren't "normal" like us. As a librarian working at a campus with many special needs students, I see the importance of these issues, and reading a story like this one helps provide insight for the kids.
From the Mixed-Up Files of Mrs. Basil E. Frankweiler
FlotsamWiesner, David. (2006). Flotsam. New York, NY: Clarion Books.
Summary
A young boy and his family are visiting the beach, and as he explores his seaside findings, an old camera washes onto the shore. Intrigued, he takes the film out and has the pictures developed, only to discover an amazing secret that was locked within this camera. The amazing illustrations in this wordless book tell the story with amazing detail. Wiesner was awarded a Caldecott medal for his incredible work in Flotsam.
Impressions
I have never had a great deal of interest in wordless books, but this story captured my interest immediately. The wonderfully intricate details of the pictures told this story better than any words could! I can only imagine how much more a child would love this book than an adult. I applaud the creative genius needed to create such a magical story.
Reviews
In Wiesner's latest wordless book, a boy at the beach closely examines items washed up from the sea; when a wave brings forth an old camera, the boy's viewing takes a radical shift. He gets the film developed, allowing Wiesner's imagination great play. The meticulous and rich detail of the clue- and fancy-strewn watercolors makes this fantasy involving and convincing.
Sutton, R. (2006). Flotsam. Horn Book Magazine, 82(5), 571-572.
This wordless book's vivid watercolor paintings have a crisp realism that
anchors the elements of fantasy. Shifting perspectives,
from close-ups to landscape views, and a layout incorporating broad spreads and
boxed sequences, add drama and motion to the storytelling and echo tbe photographic theme.
Filled with inventive details and delightful twists, eacb snapshot is a tale waiting to be told.
The properties and attendant framing shapes of the magnifying glass, camera, and microscope focus on photographs from a camera found on the beach. The watercolor sequence moves around the world and back in time, revealing a child holding a picture of the subsequent child (and an underwater fantasy) in this Caldecott winner.
Fleishhacker, J. (2006). Flotsam. School Library Journal, 52(9), 186-187.
Suggestions for Use
Students will be challenged to come up with text to go along with the pictures. Begin lesson by “reading” the book to the students, allowing them time to see each page and take in the details. After reading, start at the beginning of the story and ask students to come up with possible text for each page, explaining that when there are words in a story, the pictures normally compliment the words. But in this book, we must work backwards and use the pictures to create the text. Go through several pages, even skip around a bit for the sake of time, and let the children give their ideas. Afterwards, go back and read the pages with the text supplied by the students. Discuss briefly whether they think the story is better with or without the words (gently steering the discussion towards without!). Reinforce to the students that words are not necessarily needed to make a great book.
Sylvester and the Magic PebbleSteig, William. (1969). Sylvester and the magic pebble. New York, NY: Simon and Schuster Books for Young Readers.